“Glen is gifted at combining photography with digital images, making the viewer believe that it’s all one scene and that something extraordinary really happened. Even though his work is carefully planned, it has a candid artistry that gives it authenticity, Glen embraced our concept and took it to a higher level.” – Jim Fansler, Creative Director, Draftfcb (2009)
“Glen’s production capabilities are among the finest of photographers. His attention to detail is outstanding. Of course, Glen’s work speaks for itself. He truly thinks outside the box! He constantly delivers the best possible final image.” – Ken Zane, Senior Art Buyer, Draftfcb (2009)
“Glen Wexler is a digital wiz, seamlessly manipulating elaborate photographic imagery into playful fictions.” – Christopher Knight, Art Critic, Los Angeles Times (2007)
“Glen Wexler doesn’t just create rock and roll album covers, he is rock and roll – in the best sense of the term. His album covers rock in their lyrical depiction and expansion of musical moments. He captures the essence of the artist and then wails with his own solo, creating a new entity that actually stands on its own.” – Michael Ochs, Author and Rock Music Archivist (2007)
“The observer-spectator is entertained, applauds and fantasizes – as if at the movies – allowing him or herself to be lulled by the miracles of these animated worlds and their incredible new characters. And, we ask: are we sleeping or awake?” – Zoom (2006)
“Glen is a seven-foot Scotsman with a wooden leg whom I met Frog Rolling on an Eskimo trip in Northern Greenland. We were sheltering in a sauna at a local bordello with an Icelandic babe called Splut…” – Eric Idle, from the foreword of “The Secret Life of Cows” (2006)
“Wexler’s pictorial constancy as a risk taker and his deftness as a problem solver are the characteristics that distinguish his work and make his images both meaningful and memorable.” – Tim Wride, Curator of Photography, Los Angeles County Museum of Art (2005)
“Wexler has assembled some of the most memorable advertising campaigns and imagery for musicians in the past 20 years.” – Photo District News (2004)
“More than the pioneer of digital photography, you are considered its leader. You have influenced a lot of young photographers, so it seems like you lead a true movement, a true shift in art.” – French PHOTO (2001)
“For Wexler, it’s all part of making the image come to life. True to his original goal, he’s created his own form of fine art.” – Communication Arts (1999)